Maria Luiza Coelho
Milano — 2026 · contact@mlcoelho.com
References
A collection of things that have shaped the way I see.
Architects
- Vincent Van DuysenThe reference for interiors that are quiet and unmistakable at once.
- Álvaro SizaProof that a wall can be modest and monumental in the same gesture.
- Oscar NiemeyerThe curve as a national language — proof that concrete can be sensual.
- Marcio KoganThe Brazilian horizon: long, low, warm — where I learned to love the slab.
Designers
- Michael AnastassiadesLight reduced to its idea. A sphere, a line, and nothing left to remove.
- Piero LissoniMilanese rigour at its warmest — systems that never feel like systems.
- Patricia UrquiolaFearless with colour and craft, and somehow always right.
- Gio PontiThe whole idea of the Italian home, drawn by one hand.
- Lucas RecchiaA new Brazilian generation — material experiments at furniture scale.
Artists
- Anish KapoorVoids and mirrors — sculpture that changes the room around it.
- Artur LescherSuspended geometry — Brazilian precision that feels weightless.
- Donald JuddThe box, taken seriously — rigour as its own kind of beauty.
- Isamu NoguchiWhere sculpture, furniture and garden stop being separate crafts.
- José PatrícioFrom Recife, like me — order built patiently out of thousands of small pieces.
Books
- Architecture as Space — Bruno ZeviLearning to read architecture through space — not simply through what it looks like.
- Cities for People — Jan GehlThe city at human scale — designed around how people actually move, meet and live.
- Gone Girl — Gillian FlynnSharp, dark and unsettling — a story about marriage, manipulation and how easily perception can be constructed.
- The Girl with the Dragon Tattoo — Stieg LarssonCrime, family secrets and power — the kind of investigation that makes it impossible to stop reading.
Films
- Midnight in Paris — Woody AllenThe irresistible idea that every city contains other cities — and other times — within it.
- Call Me by Your Name — Luca GuadagninoA house that feels like a memory. Rooms, landscape and one endless Italian summer.
- The Talented Mr. Ripley — Anthony MinghellaItaly at its most seductive — beautiful houses, beautiful places, and the darker side of wanting another life.
- The Bone Collector — Phillip NoyceA completely different New York — dark, tense and atmospheric. Always in love with a good thriller.
Materials
- Natural stoneI prefer it when you can still tell where it came from.
- WoodWarmth without decoration.
- LinenBetter when slightly imperfect.
- MetalThe precision I like against softer materials.